A Connection between The Odyssey and Beowulf? (ll.1677-1686)

Synopsis
Original
Translation
Recordings
Really Zooming in on Gift-Giving
The Value of a Skilled Smith
Closing

The decorative grip and pommel of the Gilling Sword, like Beowulf's ancient giant sword?

The grip and pommel of the Gilling Sword, found in a stream in Yorkshire in 1976. Did the giant’s sword that Beowulf found have a similar hilt? Copyright York Museums Trust http://bit.ly/2gh8HXJ. Image from http://bit.ly/2gpntKw.


Back To Top
Synopsis

The poet describes Beowulf’s gifting the hilt of his found giant sword to Hrothgar, and reiterates the Grendels’ defeat.


Back To Top
Original

Ða wæs gylden hilt gamelum rince,
harum hildfruman, on hand gyfen,
enta ærgeweorc; hit on æht gehwearf
æfter deofla hryre Denigea frean,
wundorsmiþa geweorc, ond þa þas worold ofgeaf
gromheort guma, godes ondsaca,
morðres scyldig, ond his modor eac,
on geweald gehwearf woroldcyninga
ðæm selestan be sæm tweonum
ðara þe on Scedenigge sceattas dælde.

(Beowulf ll.1677-1686)


Back To Top
Translation

“Then was the golden hilt given into the hand
of the old battle-chief, an ancient work of giants
for the aged ruler. It became the possession
of the Danish prince after those devils perished,
the craft of a skilled smith; when the hostile-hearted,
the enemies of god, gave up this world,
guilty of murder, he and and his mother as well.
Thus the hilt came into the power of the worldly king
judged to be the best between the two seas,
a treasure freely given to the Danes.”
(Beowulf ll.1677-1686)


Back To Top
Recordings

Old English:

{Forthcoming}

Modern English:

{Forthcoming}


Back To Top
Really Zooming in on Gift-Giving

This passage is weird. I mean, why spend so many words on the simple act of Beowulf giving Hrothgar the hilt of the sword that Grendel’s mother’s blood melted? It’s a strange thing to dwell on, and I can’t help but feel like it might have been a late addition.

Or, maybe like Homer’s asides and flashbacks in the Odyssey, this is meant to be a moment outside of and within time simultaneously. I’m thinking particularly of when Odysseus gets back to Ithaca and the nurse who raised him recognizes him because of a scar on his thigh. Homer uses her seeing the scar as an in to explain its origin in a brief aside.

But, maybe because the Beowulf poet’s story is about people who see themselves as a little rougher around the edges than the ancient Greeks saw themselves, scars don’t matter. And so this aside comes from an act of giving. After all, the act of giving in early British cultures was huge. It was through giving that wealth was distributed and people were meant to feel that things were given fairly. So, perhaps, along with defeating the monsters terrorizing Heorot, this hilt is meant as a tangible gift that Beowulf gives in return for all that Hrothgar gives him.

Which is kind of suiting since, although the poet calls Hrothgar a “battle-chief” (“hild-fruma” (l.1678)), he is also called “old” twice in close succession (“gamelum” on line 1677, and “harum” on line 1678). These mentions make it clear that Hrothgar’s fighting days are over.

With that in mind, how better to mark the ending of the need for such a strong leader to fight than with the hilt of an ancient sword? It too can no longer be used to fight effectively, but it also has much to say and old stories to share — as we’ll see in next week’s post.

What do you think the poet meant by going on for so long about Beowulf giving Hrothgar the hilt of the sword he found in the Grendels’ hall?


Back To Top
The Value of a Skilled Smith

It is the wish of every leader, every “battle-chief”1,
who finds themselves standing tall as an “earthly king”2,
that they have a “skilled smith”3 in their midst,
one familiar with the methods and means of “ancient works”4.
If such a smith is truly skilled and willing, then that ruler
May wield power and style against the “hostile minded”5.

1hild-fruma: battle-chief, prince, emperor. hild (war, combat) + frum (prince, king, chief, ruler)

Back Up

2woruld-cyning: earthly king. woruld (world, age) + cyning (king, ruler, God, Christ, Satan)

Back Up

3wundor-smiþ: skilled smith. wundor (wonder, miracle, marvel, portent, horror, wondrous thing, monster) + smiþ (handicraftsman, smith, blacksmith, armourer, carpenter)

Back Up

4aer-geweorc: work of olden times. aer (before that, soon, formerly, beforehand, previously, already, lately, till) + geweorc (work, workmanship, labour, construction, structure, edifice, military work, fortification)

Back Up

5gram-heort: hostile-minded. gram (angry, cruel, fierce, oppressive, hostile, enemy) + heorte (heart, breast, soul, spirit, will, desire, courage, mind, intellect, affections)

Back Up

 


Back To Top
Closing

Next week, Hrothgar handles the hilt and reveals its meaning.

You can find the next part of Beowulf here.

Back To Top

Assurances to end a story, or just an act? (ll.1665-1676)

Introduction
Synopsis
The Original Old English
My Translation
A Quick Question
Closing

Beowulf and his band of Geats carrying Grendel's head.

J. R. Skelton – Marshall, Henrietta Elizabeth (1908) Stories of Beowulf, T.C. & E.C. Jack.
Image found at: http://bit.ly/2frmbiU


Back To Top
Introduction

This is another busy week for me, but I still want to post something here. So, since I wrote up a new news piece for last week, here is a new translation post. However, this is just a translation. To make it more interesting I’ll first post the original Old English from lines 1665 – 1676. My translation is underneath that.


Back To Top
Synopsis

Beowulf completes the story of how he defeated Grendel’s mother, and he assures Hrothgar that Heorot is now safe.


Back To Top
The Original Old English

“‘Ofsloh ða æt þære sæcce, þa me sæl ageald,
huses hyrdas. þa þæt hildebil
forbarn brogdenmæl, swa þæt blod gesprang,
hatost heaþoswata. Ic þæt hilt þanan
feondum ætferede, fyrendæda wræc,
deaðcwealm Denigea, swa hit gedefe wæs.
Ic hit þe þonne gehate, þæt þu on Heorote most
sorhleas swefan mid þinra secga gedryht
ond þegna gehwylc þinra leoda,
duguðe ond iogoþe, þæt þu him ondrædan ne þearft,
þeoden Scyldinga, on þa healfe,
aldorbealu eorlum, swa þu ær dydest.'”

(Beowulf ll.1665-1676)


Back To Top
My Translation

“‘Then I slew her in that fight, as the hall began to glow around me,
a strangely fortified house. than that battle blade
burned, the damascened sword, as the creature’s blood struck it,
hottest of battle bloods. I took the hilt out
from the fiend’s remains, the wicked deed avenged,
the death by violence of Danes, as was befitting.
Thence I swear this to thee, that you may now
sleep without sorrow in Heorot hall with all your company,
and each thane of your people,
old nobles and youths, that they all now have no need to fear,
lord of the Scyldings, for your own portion,
the lives of your folk, as you did before.'”

(Beowulf ll.1665-1676)


Back To Top
A Quick Question

Beowulf has confirmed that the threat to Heorot is over, and he assures Hrothgar of that pretty thoroughly here. Does this part of the story leave you feeling a strong sense of closure? Or, knowing that there’s still a dragon out there somewhere, do you feel like Beowulf’s words are just leading to an act break in the story?


Back To Top
Closing

Next week, Beowulf gives Hrothgar another gift.

You can find the next part of Beowulf here.

Back To Top

Grendel’s mother is gone, what warriors do (ll.1557-1569)

Synopsis
Translation
Recordings
Grendel’s Mother Beaten, But Where did She even come From?
A Warrior’s Two Faces
Closing


Back To Top
Synopsis

Beowulf kills Grendel’s mother.


Back To Top
Translation

“He saw then in her armoury a sword blessed by victory,
a sword of giants’ craft from elder days, strong of edge,
ready for a warrior’s glory; that was the best of weapons,
but it was more than any other man
would have strength to bear into the dance of battle,
superb and splendid, the handiwork of giants.
He seized that belted hilt, the Scylding warrior,
he was fierce and fatally grim, when he drew that ring-patterned sword
she had no hope of further life, he angrily struck her,
so that the sword caught slickly at the base of her neck,
it shattered her vertabra; the sword passed through
her entire, doomed body; she crumpled to the floor,
the sword sweating blood, the man rejoicing in his work.”
(Beowulf ll.1557-1569)


Back To Top
Recordings

Old English:

{Forthcoming}

Modern English:

{Forthcoming}


Back To Top
Grendel’s Mother Beaten, But Where did She even come From?

And Beowulf has done it. He has killed Grendel’s mother. She wasn’t exactly “unseam’d from the nave to the chops” as the Sergeant says of Macbeth’s deed when talking with King Duncan in Macbeth (I.ii.22), but it still sounds like he split her with his enormous sword. How else could a threatened masculinity assert itself, right?

But what I wonder about while reading this passage is what sort of operation Grendel’s mother had in her underwater hall. I mean, Not only does she pull a dagger on Beowulf, but she has an entire armoury of some kind.

As more and more is built up around her, it’s sounding less and less like Grendel’s mother is some sort of animalistic monster and more like she’s the remnant of some sort of human culture. Or, at the least, she’s someone who was cast into exile and wound up living in a cave that had been lived in before.

So maybe Neil Gaiman and Roger Avary were onto something when they added an affair between Hrothgar and Grendel’s mother to the story of the 2007 Beowulf movie. But, instead of being a seductive water witch, Grendel’s mother was actually a member of Hrothgar’s hall.

Perhaps she was one who had given birth to a son with some sort of disability and, instead of just leaving him out on the rocks to die (if exposure was a thing the Norse did with babies who didn’t look “right”), she stole away into the night with him, found the cave, and became fierce and monstrous as she faced down all of the natural terrors that the community would otherwise have protected her and her child from.

Actually, looking at the timeline that the book gives us, Hrothgar ruled through 12 years of Grendel’s terror (ll.147-149). He also ruled for some time before that, enough time for Heorot to be built under his watch. whereas Grendel’s mother had ruled her depths for either 50 years or, as Seamus Heaney has it: “a hundred seasons,” which would work out to 25 years (ll.1498).

Now, it might be a bit of a stretch that Hrothgar and Grendel’s mother knocked boots if she’s been ruling for 50 years while he’s maybe been ruling for 20. But, if Grendel’s mother has only been ruling for 25, then, perhaps Grendel is Hrothgar’s son. So maybe she was an early mistress of the prince or even the young king Hrothgar and had to be kept quiet to allow for a more politically convenient marriage to come along.

Or, maybe there’s a bit of Anglo-Saxon history getting into the story here and Grendel’s mother was a Roman woman with a strange child that was cast out. After all, because they had better forging techniques, the Anglo-Saxons often considered Roman swords magical, mythically crafted weapons.

Unfortunately, though, all we can make of the Grendel’s mother’s background is based on assumptions.

But that’s also fortunate. As a poem Beowulf has a lot of gaps in its background information, and because of these gaps it can be talked about and used as a lens through which we can look at our own time almost endlessly.

So what do you think Grendel’s mother was doing with an armoury? Was she just a monster who happened upon an old previously inhabited cave? Or was she somebody exiled from Daneland who put everything around her together herself?


Back To Top
A Warrior’s Two Faces

After the fact, a warrior who happens to bear a “eald-sweord”1 that he believes to be “sig-eadig”2 in the “beadu-lac”3 is likely to feel quite high and mighty. He’ll probably talk of the “weorð-mynd”4 he won while his grip was upon the “fetel-hilt”5.

But in the moment, through the “beadu-lac”3, that same warrior with the “hring-mæl”6 is a different person. He’s a “heoro-grim”7 swinging precisely and delivering death as limbs are severed and “ban-hring”8 are broken. His memory confers upon him “weorð-mynd”4 but his actions only make “flæsc-hama”9 after “flæsc-hama”9.

1eald-sweord: sword from elder days. eald (old, aged, ancient, antique, primeval, elder, experienced, tried, honoured, eminent, great) + sweord (sword)

2sig-eadig:blessed by victory. sig (victory) + eadig (wealthy, prosperous, fortunate, happy, blessed, perfect)

3beadu-lac: war-play, battle. beadu (war, battle, fighting, strife) + lac (play, sport, strife, battle, sacrifice, offering, gift, present, booty, message)

4weorð-mynd: honour, dignity, glory, mark of distinction. weorð (word, value, amount, price, purchase-money, ransom, worth, worthy, honoured, noble, honourable, of high rank, valued, dear, precious, fit, capable) + mynd (memory, remembrance, memorial, record, act of commemoration, thought, purpose, consciousness, mind, intellect)

5fetel-hilt: belted or ringed sword-hilt. fetel (belt) + hilt (handle, hilt of a sword)

6hring-mæl: sword with ring-like patterns. hring (ring, link of chain, fetter, festoon; anything circular, circle, circular group, border, horizon, rings of gold, corslet, circuit (of a year), cycle, course, orb, globe) + mæl (mark, sign, ornament, cross, crucifix, armour, harness, sword, measure) [A word exclusive to Beowulf]

7heoro-grim: savage, fierce. heoru (sword) + grim (fierce, savage, dire, severe, bitter, painful)

8ban-hring: vertebra, joint. ban (bone, tusk, the bone of a limb) + hring (ring, link of chain, fetter, festoon, anything circular, circle, circular group, border, horizon, rings of gold (as ornaments and as money), corslet, circuit of a year, cycle, course, orb, globe)

9flæsc-hama: body, carcase. flæsc (flesh, body (as opposed to soul), carnal nature, living creatures) + hama (covering, dress, garment, womb, puerperium, slough of a snake)

 


Back To Top
Closing

Next week, Grendel comes back into the story.

You can find the next part of Beowulf here.

Back To Top

Monsters on the shores, and monsters in the morning (ll.1422-1432a)

Synopsis
Translation
Recordings
Marine Mammals or Monsters?
Waking Monsters at Morning Time
Closing

Beowulf, Grendel, Old English, Anglo-Saxon

An illustration of Grendel by J.R. Skelton from Stories of Beowulf. Grendel is described as “Very terrible to look upon.”Stories of beowulf grendel” by J. R. Skelton – Marshall, Henrietta Elizabeth (1908) Stories of Beowulf, T.C. & E.C. Jack. Licensed under Public Domain via Wikimedia Commons.

Back To Top
Synopsis

Some of those with Hrothgar peer into the bloody depths of the waters and see monsters.

Back To Top
Translation

“Amidst the waters blood surged — clear for the men there to see —
hot with gore. At times a horn sounded
an urgent war-song. Those on foot all sat down;
there through the water they saw many of the race of serpents,
strange sea-dragons knew those depths,
likewise, on the headlands lay water monsters,
those that often undertake to hijack ships as they
set out on fateful voyages down the sail-road in the morning,
dragons and beasts. They rushed about the waters,
fierce and enraged; they had heard that sound,
the resounding war-horn.”
(Beowulf ll.1422-1432a)

Back To Top
Recordings

Old English:

{Forthcoming}

Modern English:

{Forthcoming}

Back To Top
Marine Mammals or Monsters?

After coming just a few miles from Heorot, Hrothgar and those with him haven’t just come to a strange swampy place. They have come to the heart of the world’s monsters’ home.

The Danes and Geats that look into the choppy waters see all manner of sea serpents, and those that look across to the cliffs see the very monsters the Anglo-Saxons may have feared the most as a sea-faring people: those that wreck ships. Since, you know, gremlins, or, rather, the “nicra,” are all about smashing ships. And, apparently, lazing on rocky shores.

I remember that when we got to this passage in a class that walked us through Beowulf we stopped and dug deep. And what the professor uncovered was the notion that the monsters Hrothgar, the Danes, and the Geats see on the far shore are seals or walruses, giant sea mammals that (probably wrongly?) they assumed wrecked ships since they were protective of all the sea as humans were protective of their homes. Building on this notion, I can’t help but wonder even now if the waters are bloody and churning because some of the seals are hunting. And, perhaps the horrendous writhing of the sea serpents is just the seals mowing down on fish or other water dwellers their size or bigger, leaving people on the shore with the impression of giant flailing monsters.

Of course, that’s just speculation.

Speculation that Hrothgar and those with him misinterpreted what they saw for what they expected instead of what actually was. Or, rather, speculation that this is what the Anglo-Saxons thought of seals and/or walruses. It’s hard to say for sure since I’m not sure how violent those animals are when they’re hunting. Or if they’d be violent enough to come onto land, steal a full grown man away and leave his head on the shore completely unintentionally.

Though, I guess the Grendels, in this den of monsters, being the only clear humanoids, are supposed the poem’s audience’s way into this experience. Everything around them is so strange that the Grendels, with their upright walking and sense of family, are actually much closer to our human heroes than to the lounging (and maybe laughing?) monsters that the assembled people see all around them.

But if they’re surrounded by these strange creatures, then is it somebody among Hrothgar’s men that blows on the war horn? Or is it one of the monsters doing it? Or, is that just the poet taking some licence with a seal’s bark or a walruses’ call?

For such a scene, the plain language here does wonders for setting up an utterly bizarre situation. But more than that I think it does a fantastic job of building up suspense.

Here’s this group of people — all warriors outfitted for fighting — in the midst of a bunch of monsters, looking for the one who is ostensibly their queen or maybe just the most aggressive of the bunch, and they can only guess that she’s beyond Æschere’s bloodily severed head, in the depths of the unfathomable choppy red water.

Do you think the monsters all around Hrothgar and his group are just seals or walruses? Or is the poet describing some other creatures?

Back To Top
Waking Monsters at Morning Time

One of the things I wonder as I read this passage again is why the monsters don’t seem to notice Hrothgar or any of those with him. They’re either chilling on another shore, or feeding in the water. It’s something that definitely strengthens the idea that they’re all just marine mammals doing their own thing, and, much like other animals of a certain size ignore people unless they get to close.

But. For the sake of this little exercise, let’s continue to consider them monsters. And how to rouse them from their lounging?

Well, “wil-deor”1, “sæ-dracan”2, and those of “wyrm-cynn”3, rush up no matter what the “næs-hleoðum”4, when the guð-horn5 plays the “fyrd-leoð”6, in the “undern-mæl”7.

Monsters love bacon, after all, especially when it comes in rashers.

1wil-deor: wild beast, deer, reindeer.
wild (wild) + deor (animal, beast (usu. wild), deer, reindeer; brave, old, ferocious, grievous, severe, violent)

2sæ-dracan: sea-dragon.
(sheet of water, sea, lake, pool) + draca (dragon, sea-monster, serpent, the devil, standard representing a dragon or serpent)

3wyrm-cynnes: serpent-kind, sort of serpent.
wyrm (reptile, serpent, snake, dragon; worm, insect, mite, poor creature) + cynn (kind, sort, rank, quality, family, generation, offspring, pedigree, race, kin, people, gender, sex, propriety, etiquette; becoming, proper, suitable)

4næs-hleoðum: declivity, slope of a headland.
næs (cliff, headland, cape, earth, ground) + hlið (cliff, precipice, slope, hill-side, hill)

5guð-horn: war-horn, trumpet.
guð (combat, battle, war) + horn (horn, musical instrument, drinking horn, cupping horn, beast’s horn, projection, pinnacle)

6fyrd-leoð: war-song.
fierd (national levy or army, military expedition, campaign, camp) + leoð (song, lay, poem)

7undern-mæl: morning-time.
undern (morning (from 9AM to Noon), the third hour (9AM, or 11AM), religious service at the third hour) + mæl (mark, sign, ornament, cross, crucifix, armour, harness, sword, measure; time, point of time, occasion, season, time for eating, meal, meals)

Back To Top
Closing

Next week, a Geat brings in a monstrous catch.

You can find the next part of Beowulf here.

Back To Top

What Grendel’s mother did with Aeschere’s head, a monstrous real estate listing (ll.1408-1421)

Synopsis
Translation
Recordings
A Grisly Joke
A Monstrous Listing
Closing

Back To Top
Synopsis

Hrothgar and his wisest thanes see a grisly sight at the Grendels’ doorstep.

Back To Top
Translation

“The prince’s thanes then rode on
over steep rocky slopes, around narrowly winding paths,
through ways that fit just single file soldiers, up trails unknown,
precipitous headlands, lined with homes of water monsters.
He went on ahead with a handful of the wise,
to see that strange place; they looked about
until suddenly they found a patch of mountain trees
all growing out over grey stones,
a joy-less forest; waters stood beneath them,
blood-stained and turbid. To all the Danes gathered there,
friends of the Scyldings, the sight caused harsh suffering
at heart, bringing the same heaviness to each of the many thanes,
striking each of them with grief, once they found
the head of Æschere on the cliff by the water’s side.”
(Beowulf ll.1408-1421)

Back To Top
Recordings

Old English:

{Forthcoming}

Modern English:

{Forthcoming}

Back To Top
A Grisly Joke

Hrothgar’s ride up to the mere is quite vivid — in a King James Version of the Bible sort of way.

The first few lines of this passage (and the last few of last week’s) are sparse in their description. And yet, somehow these lines say a lot in their handful of words. It certainly sounds like the mere is incredibly isolated, almost as if the journey there (though it’s “not many miles” away (“Nis þæt feor heonon/milgemearces” (l.1361-1362)), as Hrothgar’s said earlier in the poem) has taken them to an entirely new world. A world of crooked trees growing over stony ground that’s also swampy and saturated with ever-churning waters. It does indeed sound like a grim place. But topping it all off is the discovery of Æschere’s head.

As we’ll find out once the poem gets to Beowulf’s pursuing Grendel’s mother, the Grendels’ home is in this water. And so, since this cliff is at the water’s side, I can’t help but think that it is the Grendels’ equivalent of Heorot’s gables.

After Beowulf defeated Grendel he hoisted his opponent’s arm up into those gables as a prize and a sign of triumph. Of course, taking that trophy was fatal for our 12-year terror, Grendel. Likewise, taking off Æschere’s head would have been fatal for him. Also likewise, his head is being similarly displayed as a trophy and as a sign of triumph in the feud.

But now, since it’s Æschere’s head and not the limb of some miscellaneous monster, we’re meant to feel just as sad at heart as the Danes who look upon the grim sight with Hrothgar. And it’s easy to feel it. I mean, from the time that Grendel’s mother takes him it’s pretty clear that Æschere is dead. But even so, seeing such grisly proof that he is indeed gone is still pretty devastating.

And yet, the parallel to Grendel’s arm makes me wonder what the poet was trying to say here.

Maybe the poet’s driving home what I’ve pointed out before, that Grendel and Grendel’s mother, for all of their monstrousness, are still beings with reason and with a capacity for empathy and a strong sense of family. A sense strong enough to inspire Grendel’s mother to barge in on a hall full of armed warriors with nothing but the fear of her they feel for protection.

Maybe giving such a quality to monsters was meant to show how much the idea of family, an often elevated and ennobled feeling, is really just an animalistic instinct. And that the preyed upon and the hated feel it just as much as those who are in an elevated position of privilege.

Maybe the poet is exercising some dark humour. Æschere’s head being on display is a little elbow in the ribs, a little flip of the bird from monster kind.

What do you make of this scene? Is it just a grisly display of how low the Grendels will go or is it a little wink from the poet in some way?

Back To Top
A Monstrous Listing

Speaking of Old English humour, I think you could probably find a joke real estate listing like this if real estate listings were a thing in the days of Beowulf and Hrothgar:

Make your way along the “an-pað”1, up the “stan-hlið”2, and you’ll find a terrible “nicor-husa”3. This “nicor-husa” comes complete with a “wyn-leas”4 “fyrgen-beam”5 out front and an abysmal “holm-clif”6 view. Starting at three severed thanes’ heads or best offer.

Or, in Modern English:

Make your way along the narrow path, up the rocky slope and you’ll find a terrible sea-monster’s dwelling. This sea-monster’s dwelling comes with a joyless mountain-tree out front and an abysmal sea-cliff view. Starting at three severed thanes’ heads or best offer.

1an-pað: narrow path. an (one, each, every one, all) + pað (path, track)
2stan-hlið: rocky slope, cliff, rock. stan (stone, rock, gem, calculus, milestone) + hlið (cliff, precipice, slope, hill-side, hill)
3nicor-husa: sea monster’s dwelling. nicor (water-sprite, sea-monster, hippopotamus, walrus) + husa (house, temple, tabernacle, dwelling-place, inn, household, race)
4wyn-leas: joyless. wyn (friend, protector, lord, retainer) + leas (without, free from, devoid of, bereft of, false, faithless, untruthful, deceitful, lax, vain, worthless, falsehood, lying, untruth, mistake)
5fyrgen-beam: mountain tree. fyrgen (mountain) + beam (tree, beam, rafter, piece of wood, cross, gallows, ship, column, pillar, sunbeam, metal girder)
6holm-clif: sea-cliff, rocky shore. holm (wave, sea, ocean, water) + clif (cliff, rock, promontory, steep slope)

Back To Top
Closing

Next week, everyone in the party is entranced by the beasts in the water.

You can find the next part of Beowulf here.

Back To Top

Hrothgar leaps into action, words to find an empty vassal by (ll.1397-1407)

Synopsis
Translation
Recordings
Hrothgar on the Move
Tracking an Empty Vassal
Closing

Back To Top
Synopsis

Hrothgar responds immediately to Beowulf’s egging on and sets out after Grendel’s mother.

Back To Top
Translation

“Then the old one leapt up, thanked God,
the mighty Lord, for what the man had said.
Then Hrothgar’s horse was bridled,
the one with the braided hair; the wise king
rode out in fine array; the troop of shield-bearers
marched on. Tracks were widely seen
over the trails through the wood,
leading over earth, going straight
over to the darkened moor, where the
lifeless body of the dear servant had been drug,
he who had watched over the home of Hrothgar.”
(Beowulf ll.1397-1407)

Back To Top
Recordings

Old English:

{Forthcoming}

Modern English:

{Forthcoming}

Back To Top
Hrothgar on the Move

Now we’re on the hunt! And the trail is fresh!

Though it’s hard to say which trail exactly Hrothgar and his gang are following.

At first, it sounds like it must be Grendel’s Mother’s tracks. But then we’re told that Æschere’s “lifeless body…had been drug” (“magoþegna bær/…sawolleasne” (ll.1405-1406)), so maybe the furrow left behind by his feet or head are what they’re following. If that’s the case, then the humans here involved are sowing the seeds of destruction! After all, it sounds like Hrothgar’s riding out with quite a bit of force; he is in his finest array and riding out on a horse that has a braided mane. Though the detail of the horse makes me wonder if it’s more of a show horse — perhaps even making it a reflection of Hrothgar’s own existence as more of a figurehead than the machismo-dripping leader he had been in younger days. All the while accompanied by a “troop of shield-bearers” (“gumfeþa…/lindhæbbendra” (ll.1401-1402)). So, despite appearances (maybe because of them?), Hrothgar’s serious in his ride out to the mere.

And, of course, at the head of all of this forward momentum is Beowulf. The lad’s jab about Hrothgar’s needing to be the ruler Beowulf expects him to be was likely particularly stinging.

Still, it’s telling that Beowulf is able to inspire the old king like this. It makes it pretty clear, I think, that he’s not only some great monster slayer, but he’s got charisma and diplomatic skill as well — he can slay supernatural foes with the sword (or handgrip) and he can slay human ones with his tongue.

Actually, that makes it pretty neat and tidy when it comes to the morality of Beowulf himself. There’s no weird amorality to him despite the death that he’s steeped in because all of the stories of his fights we’ve heard so far involve fights with monsters. Yes, later Beowulf tells stories of fights against armies, but there the foes are far from humanized. The old trick of making enemies into monsters being well practiced well beyond the medieval period and into antiquity. Though thinking about that practice makes me wonder what Grendel and Grendel’s mother were before they were constantly called “kin of Cain.”

Do you think that Grendel and Grendel’s mother are monsters or people whom the Danes just want to exterminate?

Back To Top
Tracking an Empty Vassal

A bunch of “lind-hæbbendra,” a “gum-fetha” of them you might even say, is on the march. Such a bunch of “lind-hæbbendra” sounds rather intimidating. And no doubt the sight of a group of “shield-bearers” or “warriors” heading somewhere would be, after all they literally “have” (“hæbben”) “shields of wood” (“lind”). So you know just by looking at them that they’re serious business. Particularly because of that “gum-feþa” formation

But what else, if not a “gum-feþa” would warriors move in? The word “troop” just feels too appropriate. All the more so, since it’s a mix of “gums” (“man,” “lord,” or “hero”) and “feþa” (“foot-man,” “foot-soldier,” “band of foot-soldiers,” or “troops”).

Just for fun now, imagine each warrior in this troop having “wunden-feax”. Such “braided hair” might make them fulfil a lot of popular conceptions of what Vikings looked like, and why not?

Along with horned helmets, braids have always been a favourite of Viking cartoonists, but what’s really surprising is how straightforward the compound “wunden-feax” is. “Wunden” just means “wind,” “plait,” “curl,” “twist,” “unwind,” “whirl,” “brandish,” “swing,” “turn,” “fly,” “leap,” “start,” “roll,” “slip,” or “go,” and “feax” just means “hair,” or “head of hair”.

What’s more, this word is exclusive to Beowulf as far as we know, so there’s got to be a pretty good understanding of what “wound hair” is. And such an understanding is most likely to come out of braided hair being a familiar sight.

Now imagine this troop of warriors with braided hair heading down a “weald-swaþu.” Somehow knowing that “weald-swaþu” means “” (weald (“forest,” “wood,” “grove,” “bushes,” or “foliage”) + swaþu (“footstep,” “track,” “pathway,” “trace,” “vestige,” or “scar”)) doesn’t make this too much easier. I mean, it’s really hard to tell how deep this forest is.

But they are tracking the “sawol-leas” “mago-þegna,” so there might be more than one track to follow.

Not that anything “lifeless” (or soul-less) would be moving much (hence the very visceral “sawol” (“soul,” “life,” “spirit,” or “living being”) + “leas” (“without,” “free from,” “devoid of,” “bereft of,” “false,” “faithless,” “untruthful,” “deceitful,” “lax,” “vein,” “worthless,” “falsehood,” “lying,” “untruth,” or “mistake”)).

And, much like the near sound alike “vessel,” a “vassal” is pretty empty if you remove its life or its soul, so our mago-þegna (“mago” (“male kinsman,” “son,” “descendant,” “young man,” “servant,” or “warrior”) + “þegna” (“servant,” “minister,” “retainer,” “vassal,” “follower,” “disciple,” “freeman,” “master,” “courtier,” “noble (official rather than hereditary),” “military attendant,” “warrior,” or “hero”)) likely did nothing but drag as it was carried off.

Though the empty furrow formed from the empty body’s dragging could be what fills our braided troop of shield-bearers with hope.

Back To Top
Closing

Next week, the trip toward the home of the Grendels continues.

You can find the next part of Beowulf here.

Back To Top

Hrothgar’s motives, wolves and ancient treasure (ll. 1368-1382)

Synopsis
Translation
Recordings
Hrothgar Holding Out?
Of Wolves and Ancient Treasure
Closing

Beowulf, Grendel, Old English, Anglo-Saxon

An illustration of Grendel by J.R. Skelton from Stories of Beowulf. Grendel is described as “Very terrible to look upon.”Stories of beowulf grendel” by J. R. Skelton – Marshall, Henrietta Elizabeth (1908) Stories of Beowulf, T.C. & E.C. Jack. Licensed under Public Domain via Wikimedia Commons.

Back To Top
Synopsis

Hrothgar tells Beowulf more about the terrifying surroundings of the Grendels’ home, and offers a generous reward.

Back To Top
Translation

“Even the stag harassed by wolves,
that hart strong of horn would seek security in the wood,
even if it was far off, would turn to offer its horns,
lose its life on the bank, before it would enter that water,
conceal his head. That is no pleasant place;
thence rise up surging waves
to a darkened sky, there the winds stir
hateful storms, so much so that the air becomes gloomy,
and the sky weeps. Now as before we depend
upon you alone for help. That region is not yet known,
a perilous place, there thou mayst find
the very guilty creature; seek it out if thou darest.
I will reward you with great wealth for ending this feud,
award you with ancient treasures, as I did already,
works of twisted gold, if thou goest on this way.”
(Beowulf ll.1368-1382)

Back To Top
Recordings

Old English:

{Forthcoming}

Modern English:

{Forthcoming}

Back To Top
Hrothgar Holding Out?

In the moment, Beowulf probably didn’t think twice about Hrothgar’s offer. “More treasure? For just killing another monster? Sure!” could very well be his internal monologue.

But does Hrothgar know more than he lets on?

Considering the fact that he’s able to go on for lines about the characteristics of the mere, and yet he says “that region is not yet known” (“[e]ard git ne const” (l.1377)) really makes me wonder. Plus, I don’t think that anyone who knew nothing about a place could paint as rich a picture as Hrothgar does when he uses the example of the buck who would rather die than escape the wolves by swimming away through the mysterious burning waters.

Sure, fear could be a factor here.

Maybe Hrothgar is speaking as someone who is terrified of this place, and so his description of it is tinged with the fear of the unknown; he has released his doubts about the place in exchange for grasping whatever slivers of information there are available to him as tightly as possible. And then he’s blown them out of proportion.

Though, perhaps this description isn’t coming from a frightened old man.

As a warrior himself, and someone who had to prove himself in his earlier days just as Beowulf is doing now, maybe Hrothgar is being quite shrewd here. The description he gives, with all of its extreme dangers and air of mystery despite the details would definitely appeal to Beowulf’s sense of hunting down glory. Though, really, even if Hrothgar said that Grendel’s mother could be found in the bread wall at the local grocery store, I’m sure Beowulf would go after her. He is that kind of fighter after all.

What’s more troubling anyway is that Hrothgar’s marking the end of this feud with the death of Grendel’s mother suggests something other than rhetoric. I think that it’s the poet’s way of suggesting that gaining a reputation for fighting and slaying monsters as Beowulf did when he beat Grendel (and even before if his boasts are to be believed) leads not to an end of your struggles with the unknown but to their continuation.

In fact, if you become known as an expert monster slayer, you’ll do it until the thing fighting as the supernatural’s representative naturally overcomes you, the natural. After all, as the stakes are raised more and more the best a mere mortal can do is take down the monstrous with them.

What do you think Hrothgar knows about the Grendels that he’s not telling Beowulf?

Back To Top
Of Wolves and Ancient Treasure

I feel like it’s a bit judgy, from the perspective of a people relying on crops and livestock for sustenance and trade a “hæð-stapa” would be very bad news. At least in some cases.

The word “hæð-stapa” is kind of an odd one since it can mean either “wolf” or “hart.” As strange as that sounds, it makes sense since the word’s literal translation is simply “heath-stalker.”

In fact, since “hæð-stapa is a combination of “hæð” (“heath,” “untilled land,” “waste,” or “heather”) and “stapa” (“going,” “gait,” “step,” “pace,” “spoor,” “power of locomotion,” “short distance,” or “measure of length”), it could be taken to mean just about anything that is known to wander land that is unused by humans. Perhaps that’s why adding “fela-sinnigne” to “hæð-stapa” points it towards “wolf”.

After all, I haven’t met many deer that I would call “very guilty,” the very literal meaning of “fela-sinnigne” (fela (“many,” or “much”) + sinnigne (“guilty,” “punishable,” “criminal,” or “sinful”)).

But whatever judgments are passed, such a “fela-sinnigne” “hæð-stapa” is right at home in a “holt-wudu.”

That word combines “holt” (“forest,” “wood,” “grove,” “thicket,” “wood,” or “timber”) and “wudu” (“wood,” “forest,” “grove,” “tree,” “the Cross,” “Rood,” “wood,” “timber,” “ship,” or “spear shaft”) to mean simply “forest,” “grove,” or “wood,” though I’m sure that the doubling of a similar meaning in both words means that this is the deepest of forests.

Just as “yð-geblond” could refer to the mysterious waters of casa Grendel or to the roiling waves of the open sea. I mean, this compound does literally mean “wave” (“yð”) “mix” (“blandan”) after all.

But wolves (guilty or otherwise) are in short supply on the open sea, while something much more valuable is there for the taking thanks to shipwrecks and Viking burials. Yes, the ocean is home to much “eald-gestreon.”

Once again (seems there’s a trend in this passage’s compound words) the word “eald-gestreon” literally means “ancient treasure” (being a mix of “eald” (“aged,” “ancient,” “antique,” “primeval,” “elder,” “experienced,” “tried,” “honoured,” “eminent,” or “great”) and “streon” (“gain,” “acquisition,” “property,” “treasure,” “traffic,” “usury,” or “procreation”)).

So, in a sense you could say that the “fela-sinnigne hæð-stapa” is to the “holt-wudu” as the “eald-gestreona” is to the “yð-geblond.”

Back To Top
Closing

Next week: Beowulf’s reply!

You can find the next part of Beowulf here.

Back To Top

Flaming waters and who measures out miles anyway? (ll.1357b-1367)

Synopsis
Translation
Recordings
A Weird Home with Flaming Water
The Wondrous Life of a Mile Measurer
Closing

Beowulf, Grendel, Old English, Anglo-Saxon

An illustration of Grendel by J.R. Skelton from Stories of Beowulf. Grendel is described as “Very terrible to look upon.”Stories of beowulf grendel” by J. R. Skelton – Marshall, Henrietta Elizabeth (1908) Stories of Beowulf, T.C. & E.C. Jack. Licensed under Public Domain via Wikimedia Commons.

Back To Top
Synopsis

Hrothgar tells Beowulf (and us) about where the Grendels live.

Back To Top
Translation

&nbsp:&nbsp:&nbsp:&nbsp:&nbsp:&nbsp:&nbsp:&nbsp:&nbsp:&nbsp:&nbsp:&nbsp:&nbsp:”They occupy that
strange land, along wolf-inhabited slopes, near wind-wracked cliffs,
up the perilous fen-path, where mountain streams
fall through mists from the headlands,
water creeping from underground. It is not many miles
hence that their mere can be found,
with frost-covered groves overhanging it;
tree roots overshadow those waters with their interlocking embrace.
Each night there you can see the oddest of wonders,
the water catches fire; none among the dear wise
children of humanity know of those waters’ bottom.”
(Beowulf ll.1357b-1367)

Back To Top
Recordings

Old English:

{Forthcoming}

Modern English:

{Forthcoming}

Back To Top
A Weird Home with Flaming Water

Wonder upon wonder! After telling us that Grendel and Grendel’s mother were known to the people living on his lands, Hrothgar goes on to describe where the two live. And it doesn’t sound very hospitable.

Wolves on the slopes (“wulfhleoþu” l.1358), paths that cut through the marsh (“fengelad” l.1359), and everything is covered in mist (“genipu” l.1360). It sounds downright swampy.

Given this description of the monstrous Grendels’ home it’s no wonder it’s the Anglo-Saxon (read British) default to ascribe brutality and low intelligence to people who live in the backwoods and hills. If the presentation of Grendel and Grendel’s mother are anything to go on, making these people monsters (as we still do in horror movies to this day), is one of the oldest stereotypes carried down by speakers of English.

But that’s not the worst of it.

Along with being in such a perilous place, the water there burns by night. Water’s not supposed to burn. And especially not at night. And yet this stuff does.

Maybe it’s marsh gas (viewers of the Jon Pertwee Doctor Who story “Carnival of Monsters” might know how flammable the stuff can be).

Or maybe it’s just the light of the moon rippling off the water between tree branches in such a way that it looks like the water is glowing.

Or, weirdest of all, maybe the fires that dance upon the lake’s surface at night are lights for those below. Maybe this is the site of an anti-Heorot, a place where monsters kick back, drink their malts and eat strictly vegetarian meals.

It sounds crazy, but, as we’ll learn later on, the Grendels do have a rather mysterious cave/hall to call their own.

And why not introduce an anti-Heorot here?

So few people adapt the poem beyond the confrontation with Grendel’s mother. But, if you look at the poem as a thing divided into thirds based on the three major fights something interesting appears. Along with three monsters (Grendel, Grendel’s mother, and the dragon) there are three halls that are featured (Heorot, the Grendel’s, and Beowulf’s). So why shouldn’t the water on fire be lights coming up from the deep, where monsters play and frolic, while one of them plays an old rib cage like a xylophone?

What do you think is causing the water of this strange lair to look like it’s burning by night?

Back To Top
The Wondrous Life of a Mile Measurer

The area that Hrothgar talks about in this passage seems quite remote. It contrasts quite a bit with the tame paths and meadows around Heorot. At some point though, he must have asked someone to “mil-gemearc” the distance between Heorot and this place.

Literally, such a request would have been to “mark the miles” between the two, though “measure by miles” is far less imperative. Not that it’d be difficult to make these two words sound like a command when put together. They’re quite straightforward. “Mil” means “mile” and “gemearc” means “mark,” “sign,” “line of division,” “standard,” “boundary,” “limit,” “term,” “border,” “defined area,” “district,” or “province.”

What I wonder, though, is whether or not Hrothgar sent the same person or another to measure out the “fen-gelad.” Measuring out a “marsh-path” would be a bit more treacherous, since I doubt the ground would be very solid. I mean the two words “fen” (“mud,” “mire,” “dirt,” “fen,” “marsh,” “moor,” or “the fen country”) and “gelad” (“course,” “journey,” “way,” “street,” “water-way,” “leading,” “carrying,” “maintenance,” or “support”) going together don’t really give the sense of a path around the marsh, but rather directly through it. “Fen-gelad” sounds like it describes a path that is itself marshy.

It’d be all the worse for our measurer if they were told to go all the way to where the “fyrgen-stream” drop down into the marsh. Those “mountain streams” would be pretty deep into the fen, I’d wager. After all, the only interpretation for “fyrgen” in this context is “mountain,” so whatever sense of “stream” you went with (“stream,” “flood,” “current,” “river,” or “sea”), would need to be coming off of a mountain. And it sounds like Heorot is quite far from most mountains.

As hard a task as all this measuring out would be, I imagine that the person doing it would see some “nið-wundor.” How could they not see a “dire wonder” or “portent” along such a path? Though seeing such a thing wouldn’t necessarily uplift their spirits. “Wundor” is at least neutral, meaning simply “wonder,” “miracle,” “marvel,” “portent,” “horror,” “wondrous thing,” or “monster”. But “nið” refers to “abyss,” “strife,” “enmity,” “attack,” “war,” “evil hatred,” “spite,” “oppression,” “affliction,” “trouble,” or “grief.” So these sights may leave whatever measurer of miles that sees them with grief.

Indeed, such “nið-wundor” likely include sights like a “wulf-hleothu.” I’d be pretty distressed if I had to pass by a hillside where wolves lived after all. They’d have the higher ground and all sorts of advantages. Though, they might also be devils in disguise since “wulf” can translate as “wolf,” “wolfish person,” or “devil”. They’d definitely be on a hillside, though: “hleoþu” only means “cliff,” “precipice,” “slope,” “hillside,” or “hill”.

Back To Top
Closing

Next week, Hrothgar further describes this strange place and promises Beowulf a great reward.

You can find the next part of Beowulf here.

Back To Top

Hrothgar tells tales of the Grendels, idyllic country-dwellers risk exile (ll.1345-1357a)

Synopsis
Translation
Recordings
Hrothgar Lays his Land Claims
The Rise and Fall of a Country-Dweller
Closing

Beowulf, Grendel, Old English, Anglo-Saxon

An illustration of Grendel by J.R. Skelton from Stories of Beowulf. Grendel is described as “Very terrible to look upon.”Stories of beowulf grendel” by J. R. Skelton – Marshall, Henrietta Elizabeth (1908) Stories of Beowulf, T.C. & E.C. Jack. Licensed under Public Domain via Wikimedia Commons.

Back To Top
Synopsis

Hrothgar shares what his people have told him about Grendel and his mother.

Back To Top
Translation

“I have heard the dwellers in the land, my people,
and my hall counsellors say,
that they have seen two such
mighty prowlers of the murky moors protecting them,
alien creatures; there one of them,
they all can say with great certainty,
has a woman’s likeness; the other unfortunate
in a man’s form treads the path of exile,
but never had they seen a bigger man;
in earlier times the dwellers in the land named
him Grendel; they knew not their lineage,
their parentage was said to be hidden among
mysterious spirits.”
(Beowulf ll.1345-1357a)

Back To Top
Recordings

Old English:

{Forthcoming}

Modern English:

{Forthcoming}

Back To Top
Hrothgar Lays his Land Claims

After Hrothgar has questioned Beowulf’s effectiveness, the hall ruler changes his approach. He starts to finally tell us more about Grendel and Grendel’s mother. And it sounds like there are things that Hrothgar can tell us — even if they are just hearsay.

It’s definitely important that there are only two of these creatures. Though it’s curious that the way that all of Hrothgar’s people go when wondering about their origins is down the road of “mysterious spirits” (“dyrnra gasta” (l.1357)). None of Hrothgar’s people say that these two are just two exiles from long ago.

In fact, since in earlier times people would often cast out children who were born with physical defects, maybe that’s what Grendel is: a person with a physical disability of some kind. His mother, then, is indeed a woman but, since Grendel’s as big as he is, in this scenario she probably went out into the wilderness with him. Then the two were away from human society for so long that they’ve forgotten how to talk and express themselves in a recognizable way.

Whatever the case is, Hrothgar’s sharing these mysterious stories of Grendel sightings call into question just how objectively the two are monsters after all. As I’ve said before, maybe the “monster” label is just Hrothgar’s label for two people that were exiled so long ago that all they share with his people are their shapes and likenesses.

I also really wonder about the use of “land-buend” (l.1345) and “fold-buend” (l.1355) in this passage.

Both words basically mean “someone living in the land” as opposed to someone living in a more populated settlement like the one that’s undoubtedly around Heorot. So not only does Hrothgar not recognize these two monsters as long exiled and unfamiliar people, it also sounds like he’s asserting his ownership of the land via possession pretty hard here. Almost as if he (or maybe just the poet) is well aware of how he encroached on the land that Grendel and his mother once had to themselves.

The matter of land ownership and identifying yourself with the land and the people living on it with the land is the angle that hooks me to tightest when I’m reading through Beowulf. It’s so interesting to me because I’m thoroughly convinced that politics of land ownership and identification as a singular people are major themes in Beowulf. And here Hrothgar’s pushing pretty hard to put the beings that he’s feuding with in the “not us” category otherwise known as “monsters” dwelling on the borders of his territory while also working to convince Beowulf that the people living on the land are indeed his people.

What do you think Hrothgar’s history with Grendel and Grendel’s mother is? Are the two creatures exiles or monsters? Could Grendel be an illegitimate son of Hrothgar whom he threw out to secure his power?

Back To Top
The Rise and Fall of a Country-Dweller

Being a person who “lives on the land” sounds like a rough life. But, I think even when Beowulf was being dreamed up there was a sense that such a life was simpler. After all, if you were a “land-buend,” you literally were a “dweller” or “inhabitant” (buend) on the “land” (the Old English word “land” meaning “earth,” “land,” “soil,” “territory,” “realm,” “province,” “district,” “landed property,” “country (not town),” or “ridge in a ploughed field”).

That there’s an almost identical word with similar meaning convinces me that country life was idealized even more.

“Fold-buend” after all, just means “earth-dweller” or “man” or “inhabitant of a country” — it’s the more concrete cousin of “land-buend” no doubt because the one word that makes the difference between the two, “fold” means “earth,” “ground,” “soil,” “terra firma,” “land,” “country,” “region,” or “world”. But really, it’s just a difference of degrees. “Land” is somehow more abstract (with its meanings of “territory,” or “province” or “country (as opposed to town)”), while “fold” is more about the dirt and soil themselves.

But aside from understanding those who lived on the land as country-dwellers and also as people living somehow more in tune with the earth (living capital “o” “On it”), country people might’ve been regarded as more fortunate because they had the protection of a “sele-raedend” without having much to do with them.

Sure farmers would have to go to war with their “sele-raedend,” he is the “hall ruler or possessor” after all, but they wouldn’t have been expected to perform great deeds or distinguish themselves in battle. That would be the duty of the hall ruler’s closest posse (the “comitatus”).

Although, since “sele-raedend” breaks down into “sele” (“hall,” “house,” “dwelling,” or “prison”) and “raedend” (“controller,” “disposer,” “ruler,” or “diviner”) it’s quite possible that simple household owners or heads of families would regard themselves as the “sele-raedend” of their own dwelling.

Which is all fine and good until one of these heads of an outlying family got it into their heads that they could do a better job of ruling the people. If their plot succeeded, great! But if it failed, they’d either be killed on the spot or forced onto the “wraec-lastas” or “path of exile.”

The word comes from the mix of “wraec” (“misery,” “vengeance,” “persecution,” “enmity,” “punishment,” “penalty,” “cruelty,” “misery,” “distress,” “torture,” or “pain”) and “lastas” (“sole of foot,” “spoor,” “footprint,” “track,” “trace,” “gait,” or “step”), which outlines quite nicely what exile is all about: a path of punishment, torture, and misery.

I mean, in a time when everyone in a community relied on each other not just for niceties and a sense of connectedness but for food and protection, being forced out on your own would indeed make you “earm-sceapan.” You would be left “unfortunate” or “miserable.”

Such is the outcome of failed rebellion and such is the meaning of that mix of “earm” (“arm,” “foreleg,” “power,” “poor,” “wretched,” “pitiful,” “destitute,” or “miserable”) and “sceapan” (“shape,” “form,” “created being,” “creature,” “creation,” “dispensation,” “fate,” “condition,” “sex,” or “genitalia”).

Although, perhaps all hope would not be lost. If you managed to survive long enough to say that your being forced into exile happened in “gear-dagum” you could then call yourself (perhaps with pride) a “mearc-stapa.”

Although, if you were living outside of society for so long that you’d think of your exile as having happened in “the days of yore,” then maybe you’d have lost touch with reality enough to come up with the combination of “mearc” (“mark,” “sign,” “line of division,” “standard,” “boundary,” “limit,” “term,” “border,” “defined area,” “district,” or “province”) and “stapa” (“going,” “gait,” “step,” “pace,” “spoor,” “power of locomotion,” “short distance,” “measure of length,” “step,” “stair,” “pedestal,” “socket,” “grade,” or “degree”) to mean “march-haunter.”

Perhaps, if he or his mother were given any dialogue, that’s what Grendel or Grendel’s mother would be calling themselves.

Back To Top
Closing

Next week, Hrothgar tells us more about Grendel and his mother, and about where the duo live.

You can find the next part of Beowulf here.

Back To Top

Wondering about the central feud, a treasure-giver’s compassion (ll.1333b-1344)

Synopsis
Translation
Recordings
Who’s Feud is it Anyway?
A Treasure-Giver’s Potentially Life-Changing Compassion
Closing

Beowulf, Grendel, Old English, Anglo-Saxon

An illustration of Grendel by J.R. Skelton from Stories of Beowulf. Grendel is described as “Very terrible to look upon.”Stories of beowulf grendel” by J. R. Skelton – Marshall, Henrietta Elizabeth (1908) Stories of Beowulf, T.C. & E.C. Jack. Licensed under Public Domain via Wikimedia Commons.

Back To Top
Synopsis

Hrothgar laments the continuation of his feud with the Grendels.

Back To Top
Translation

“‘She carried on that feud,
that you the other night enflamed by killing Grendel
in your violent manner with the might of your grip,
since he had for so long a time terrified my people,
rended and grieved them. He fell in the fight
and forfeited his life; and now another
wicked ravager has come, looking to avenge her kin,
she who has already done much for her vengeance,
so it may seem to many thanes,
after they have seen their ring-giver weeping from the heart,
his dire distress; now that the hand lay still,
the hand that proved generous to every desire.'”
(Beowulf ll.1333b-1344)

Back To Top
Recordings

Old English:

{Forthcoming}

Modern English:

{Forthcoming}

Back To Top
Who’s Feud is it Anyway?

This time around Hrothgar calls out Beowulf not for doing well in killing Grendel, but for calling a second, unexpected, wicked ravager down upon Heorot.

It’s not like Beowulf could know that this would happen of course. In fact, although feud terminology had been used before, since it’s only after Grendel’s killed that we hear about his kin at all really makes me wonder how apt the word “feud” (“fæhðe” l.1333) is here. I mean, a feud in Anglo-Saxon Britain consisted of two groups clashing over and over again because of a single grievance or a string of grievances.

So, is the only grievance that Grendel and his kind had with Heorot that Hrothgar put a noisy party hall up so close to their quiet and simple fen? And if this did actually cause something that could be called a feud, then why was Grendel the sole ravager of Heorot? Why did Grendel care so much to lash out against the Danes while his mother only came on the scene once Grendel was killed?

Basically, what is this feud that Beowulf “enflamed” (l.1334)?

Weren’t Hrothgar’s danes only feuding against Grendel? Or were they actually feuding against all of monsterkind and Grendel was just that side’s representative, while the Danes had no single entity to represent them?

This is a very weird moment in the poem for these reasons. Although the poet doesn’t explicitly make the situation all that more complicated by adding in the mother character and renewing the feud that Hrothgar has with the Grendels, the concept of a feud passing from one family member who is incredibly invested to another who seems unable to care any less about it is baffling. I mean, I know she lost her son to the feud, but can it really be considered the same feud if Grendel was attacking Heorot because they barged into his home while his mother attacks for vengeance? Or did Hrothgar, Dorothy Gale-like, drop Heorot on Grendel’s dad?

Maybe this is so baffling because it’s supposed to illustrate the human misunderstanding of the natural world of which it is a part. Hrothgar calls Grendel’s apparent grudge a feud only because that’s the closest thing he knows to describe the way that Grendel is acting. But maybe the reality of the situation is entirely different; there is no feud, only one creature fighting for his land and another fighting to gain vengeance for her son.

Who do you think the feud is against? Hrothgar and the Grendels? Humans and monsters?

Back To Top
A Treasure-Giver’s Potentially Life-Changing Compassion

If there were ever an ideally compassionate “sinc-giefa” they would feel a great “hreþer-bealo” for “wel-hwylcra” “man-scaða.”

After all, it is the “sinc-giefa”‘s role in Anglo-Saxon society to distribute treasure. It’s right there in the name — a mix of “sinc” (“treasure,” “riches,” “gold,” “valuables,” or “jewel”) and “giefa” (“donor”).

And so an ideal “sinc-giefa” would feel a deep sadness, a heart sorrow for those they cannot given to, that their tremendous gifts cannot extend bonds of loyalty and friendship to. A good Old English name for that feeling is “hrether-bealo,” a combo of “hrether” (“breast,” “bosom,” “heart,” “mind,” “thought,” or “womb”) and “bealo” (“bale,” “harm,” “injury,” “destruction,” “ruin,” “evil,” “mischief,” “wickedness,” “malice,” “noxious thing,” “baleful,” “deadly,” “dangerous,” “wicked,” or “evil”). A “poison thought” could be another way to look at that. Though what would that mean?

Whatever it meant, I’m sure that all those who declared themselves that giver’s enemy would leave such a giver of treasure feeling treacherously sad. Yes, “wel-hwylc” of those self-declared enemies would have that effect. And you can’t get much more all encompassing than “wel-hwylcra” since “wel” means “well,” “abundantly,” “very,” “very easily,” “very much,” “fully,” “quite,” or “nearly”; and “hwylc” means “each,” “any,” “every (one),” “all,” “some,” “many,” “whoever,” or “whatever”. Put them together and you have a “fully all” situation on your hands (“nearly some” notwithstanding).

Though, if all of those “mān-scaða” were to turn away from being enemies, if they were to repent as “sinners” might, then our all-compassionate treasure giver could offer quite lovely rewards. Though it would take a lot for a “mān-scaða” to turn around on their path — each word in that compound has heavy negative connotations,after all.

I mean, we’ve got “mān” (evil deed, crime, wickedness, guilt, sin; false oath; bad, criminal, false) and “sceaða” (“injurious person,” “criminal,” “thief,” “assassin,” “warrior,” “atagonist,” “fiend,” “devil,” or “injury”), so you know that such an enemy or sinner is pretty steeped in their opposition of our hypothetical compassionate ring giver.

And, unfortunately, that’s just about that. All of the “hreþer-bealo” our compassionate “sinc-giefa” feels won’t turn “wel-hwylcra” “mān-scaða” from foe to friend. Though their compassion might get a few to switch over if that compassion is truly irresistible.

Back To Top
Closing

Hrothgar reveals some local lore about the Grendels, next week at A Blogger’s Beowulf.

You can find the next part of Beowulf here.

Back To Top